The artist and writer Wyndham Lewis, born Percy Wyndham Lewis, styled The Enemy, was born on 18th November 1882 and is still very much alive, even if a cross-section of his brain has been dunked in a perspex case of formalin and stored in the Pathology Museum now in Hammersmith. A naturally rather antagonistic chap, he hit the London art scene like a dishevelled brick upon his arrival from Canada in 1908, and, while his effect on mainstream culture was extremely limited in his own time, his influence on the modernist movement from the 1910s onward has transformed contemporary art both in terms of succession and reaction to his life, politics, and work.
The artist Charles Krafft should need no introduction to people on the Alt Right. His infamy in the art world is such since his “outing” by The New Yorker, The Guardian and other leftist publications. His exhibits in museums and art galleries now come with public health warnings. He is currently exhibiting in Texas and we wish him well and ask that others support him and invest in his work. Here he explains in his own words:
“CONJUGAL VISIT” is the name of a body of work with a prison theme that I prepared last year (2015) for an exhibition in the East End of London. My idea was to commemorate some of the more notorious American and British penitentiaries and their famous inmates on china. Due to juvenile social media shaming at the Not Banksy forum and a spate of obscene phone calls made to the gallery the show was cancelled before it opened and the work never got seen there. Texas is the crown jewel in America’s burgeoning prison industrial complex so I can think of no better place than Houston to premiere this work plus a selection newer and seldom seen pieces from my ongoing Porcelain War Museum and Disasterware™ series. Let’s hope the Iron Curtain of social justice sanctimony in the visual arts doesn’t drop again.
Luckily, his trip to London was not entirely wasted and I had the pleasure of welcoming him to the London Forum. Here is his speech: